Pitch
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b. 78
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composition: Op. 21, Concerto in F minor, Mvt III
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In A there are no cautionary flats before the 2nd chord in the L.H. The signs were probably added by the reviser of GE1 (→FE→EE, →GE2), although it cannot be excluded that they were inspired by Chopin. category imprint: Differences between sources issues: GE revisions , Cautionary accidentals |
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b. 92
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composition: Op. 21, Concerto in F minor, Mvt III
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FE overlooked the category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in FE |
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b. 102-103
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composition: Op. 21, Concerto in F minor, Mvt III
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In GE, the 2nd and 3rd triplets in bar 102 and the 1st and 2nd triplets in bar 103 were provided with an octave sign, so they are written an octave too high. The mistake stemmed from a change performed in the notation of this fragment – Chopin wrote it using an octave sign, whereas in GE1, planning on omitting 8 - - -, the notes were printed at the actual pitch, yet the octave sign was left by mistake. The error was corrected, probably by Chopin, in FE (→EE1), but it was unnoticed by the reviser of GE2. The erroneous octave sign was introduced also in EE2; EE3 restored the correct text. category imprint: Differences between sources issues: Errors in GE , Authentic corrections of FE , Errors repeated in GE |
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b. 102
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composition: Op. 21, Concerto in F minor, Mvt III category imprint: Differences between sources issues: EE revisions , Errors in FE |
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b. 103
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composition: Op. 21, Concerto in F minor, Mvt III category imprint: Differences between sources issues: EE revisions , Errors in FE |
lowering g to g
. The patent mistake was corrected in 
before the 2nd crotchet in