Issues : Corrections in A
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b. 481-483
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composition: Op. 21, Concerto in F minor, Mvt III
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The crossings-out visible in A allow us to read the original version, in which the L.H. had the same chords as the R.H., continuing the relationship marked by the 1st chord of the entire passage. Chopin wrote four subsequent chords (to the second one in bar 482) before he changed the concept or noticed his mistake. category imprint: Corrections & alterations; Source & stylistic information issues: Corrections in A , Accompaniment changes |
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b. 481
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composition: Op. 21, Concerto in F minor, Mvt III
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We preserve the cautionary before a2 in the 2nd chord of the bar, due to a in the previous bar. However, Chopin most probably wrote it to cancel a2, used in the original version of the notation of the 1st chord. In the main text we also add a cautionary before c. category imprint: Editorial revisions; Corrections & alterations issues: Corrections in A , Cautionary accidentals |
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b. 486
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composition: Op. 21, Concerto in F minor, Mvt III
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A (→GE1→FE1) features a d2 as the last quaver. At the same time, one can see that initially the entire last triplet was written a second lower – c1-d1-d2. Chopin corrected the first two quavers and most probably overlooked the third one, being in haste. Such a scenario is confirmed by the proofreading of FE2 (→EE) – almost certainly authentic – in which the note was changed to e2. An identical correction was performed in GE2, too. category imprint: Interpretations within context; Differences between sources issues: Corrections in A , Errors resulting from corrections , GE revisions , Errors of A , Authentic corrections of FE |
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