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Issues : Long accents
b. 356-362
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composition: Op. 21, Concerto in F minor, Mvt III
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The clearly long accents in A in bars 356, 358 and 362 were inaccurately reproduced in GE (→FE→EE) as short. Cf. bar 360. category imprint: Differences between sources issues: Long accents , Inaccuracies in GE |
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b. 370-371
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composition: Op. 21, Concerto in F minor, Mvt III
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According to us, all omitted and shortened accents in GE and FE are random inaccuracies. Moving the accents closer to category imprint: Differences between sources issues: Long accents , EE revisions , Errors in FE , Errors in GE |
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b. 407
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composition: Op. 21, Concerto in F minor, Mvt III
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The accent in A seems to be short; however, when the note head of the minim had not been set in bold type yet, the impression could have been different. Therefore, it may be possible that it is actually the accent in GE1 (→FE), clearly longer than the accents in bars 401-402, that reproduces the proportions between the accent and the note head before it was set in bold type, hence written by Chopin's hand. Since a long accent seems to be more appropriate in this case, in the main text we give a sign in the form interpreted by GE1. category imprint: Differences between sources issues: Long accents , GE revisions |
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b. 412
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composition: Op. 21, Concerto in F minor, Mvt III
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The Chopinesque long accent was interpreted in GE1 as a category imprint: Differences between sources issues: Long accents , Inaccuracies in GE , Inaccuracies in FE |
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b. 415-416
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composition: Op. 21, Concerto in F minor, Mvt III
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Three clearly long accents written in A were reproduced in GE1, without any apparent reason, in an explicitly varied manner. However, FE restored the notation of A, which could be seen as Chopin's proofreading. Both in EE and GE2 the Chopinesque long accents were reproduced as common short accents. category imprint: Differences between sources issues: Long accents , Inaccuracies in GE , GE revisions , EE inaccuracies , FE revisions |