![](/build/images/logo_left-en.png)
![](/build/images/pl-button.5cab5de0.png)
![](/build/images/pomoc-button.d3d09842.png)
![](/build/images/pomoc-button-en.5098433b.png)
Issues : Errors of A
b. 243
|
composition: Op. 21, Concerto in F minor, Mvt III
..
In A there is no category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in FE , GE revisions , Omission of current key accidentals , Errors of A |
|
b. 256-260
|
composition: Op. 21, Concerto in F minor, Mvt III
..
In the part of the L.H. neither the clef was changed to the treble one in bar 256 nor the bass clef returned at the end of bar 260 in A. These patent oversights – particularly taking into account the orchestral part of Morch with the constantly held G category imprint: Interpretations within context; Differences between sources issues: GE revisions , Errors of A |
|
b. 267
|
composition: Op. 21, Concerto in F minor, Mvt III
..
In A the flats were added in this bar in a visible haste, probably to complement the notation after the notes had been written. The signs before C category imprint: Interpretations within context; Differences between sources issues: Accidentals in different octaves , Cautionary accidentals , Errors of A |
|
b. 296
|
composition: Op. 21, Concerto in F minor, Mvt III
..
A has an a category imprint: Interpretations within context; Differences between sources issues: Errors resulting from corrections , Terzverschreibung error , Errors in the number of ledger lines , Errors of A , Authentic corrections of GE |
|
b. 305-306
|
composition: Op. 21, Concerto in F minor, Mvt III
..
In A there is not any category imprint: Interpretations within context; Differences between sources issues: EE revisions , GE revisions , Omission of current key accidentals , Errors of A , Authentic corrections of GE |