Issues : Cautionary accidentals
b. 323
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composition: Op. 21, Concerto in F minor, Mvt III
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The cautionary flat before b1 was added in the proofreading of FE (→EE) as well as in GE2. In the case of FE, one cannot exclude Chopin's intervention, although the revision of GE2 proves that such an addition could have also been performed by the reviser. category imprint: Differences between sources issues: GE revisions , Cautionary accidentals , FE revisions |
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b. 324
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composition: Op. 21, Concerto in F minor, Mvt III
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In the main text we omit the cautionary before d2. It may be a remaining element of an earlier orthography of the previous triplet, in which the top notes were written as d2, same as in bar 320. category imprint: Editorial revisions issues: Cautionary accidentals |
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b. 349
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composition: Op. 21, Concerto in F minor, Mvt III
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In the main text we omit the cautionary before d2, present in all sources, yet unjustified in this context. category imprint: Editorial revisions |
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b. 367
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composition: Op. 21, Concerto in F minor, Mvt III
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Chopin wrote two cautionary signs in A – a before c2 in bar 367 and a before a2 in bar 368. GE (→FE) added also a before c in bar 367, which was then removed or overlooked in EE1 (→EE2) and re-added in EE3. In the main text we also add naturals before g2(3) and a before b in bar 367. category imprint: Differences between sources; Editorial revisions issues: EE revisions , Cautionary accidentals , Authentic corrections of GE |
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b. 383
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composition: Op. 21, Concerto in F minor, Mvt III
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Same as in analogous bar 39, in the main text we omit the cautionary flats before d1(2) present in the sources. category imprint: Editorial revisions |