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Issues : Authentic corrections of FE
b. 155-156
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composition: Op. 21, Concerto in F minor, Mvt III
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In GE1 only bar 155 was embraced with a slur; the version is either inaccurate or arbitrary. The correct range of the slur was restored in FE (→EE), probably at Chopin's request. GE2 also has the correct text. category imprint: Differences between sources issues: Inaccuracies in GE , GE revisions , Authentic corrections of FE |
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b. 167
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composition: Op. 21, Concerto in F minor, Mvt III
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The semiquaver opening the bassoon motif was given the form of a slashed grace note in GE, which could have been influenced by the notation of A, in which the grace note is unusually small. On the other hand, in A it is written as a semiquaver, in accordance with the rhythm in Morch in the part of bassoon, which is playing this motif. Therefore, it is unlikely that a grace note would be compliant with Chopin's intention. The reason for the change could have been formal rhythmic correctness, since due to the lack of rests before this note, only a grace note fits smoothly between three crotchets of this bar. In turn, it is difficult to say what the motivation of the person (Chopin?) who changed the grace note to a quaver in FE (→#EE) was. In the main text we choose the undoubtedly authentic notation of A, adding the rest overlooked by Chopin for the record. category imprint: Differences between sources; Corrections & alterations issues: GE revisions , Authentic corrections of FE , FE revisions |
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b. 191
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composition: Op. 21, Concerto in F minor, Mvt III
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The version of FE (→EE) is undoubtedly a Chopin improvement, introduced in the proofreading of FE1. category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of FE |
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b. 195
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composition: Op. 21, Concerto in F minor, Mvt III
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The version of GE stems from a misunderstanding of the notation of A – the tie of a category imprint: Differences between sources issues: Inaccuracies in FE , Errors in GE , Authentic corrections of FE |
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b. 210
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composition: Op. 21, Concerto in F minor, Mvt III
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The version of FE (→EE) could be considered a result of Chopin's proofreading. However, it can be a quite frequent so-called Terzverschreibung error, i.e. erroneously printing a note a third away from the correct one. In the main text we give the probably authentic, later version of FE. According to us, the earlier, yet undoubtedly authentic, version of A can be considered to be equal. category imprint: Differences between sources; Corrections & alterations issues: Terzverschreibung error , Authentic corrections of FE |