Issues : GE revisions
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b. 456-457
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composition: Op. 21, Concerto in F minor, Mvt III
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In A, the ending of the slur in bar 456 suggests continuation, yet in bar 457 (on a new page), there is no ending of the slur. GE1 (→FE→EE) adopted a literal interpretation of this detail. In the main text we lead the slur to the last note of the two-bar sequence of triplets. GE2 interpreted the notation of A in a similar way. category imprint: Graphic ambiguousness; Differences between sources issues: Inaccurate slurs in A , GE revisions |
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b. 456
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composition: Op. 21, Concerto in F minor, Mvt III
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Both the absence of the dot extending the c1 crotchet in GE1 and the complete omission of the extension of this quaver in FE (→EE) must be mistakes. category imprint: Differences between sources issues: Errors in FE , Inaccuracies in GE , GE revisions |
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b. 456
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composition: Op. 21, Concerto in F minor, Mvt III
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The short accent in A was reproduced in GE1 as a long one, since the engravers were probably convinced that they were a diminuendo hairpin. This is how it was interpreted in FE (→EE), extending the mark to the end of the triplet, "for clarity." The form of the sign compliant with A was restored in GE2. category imprint: Differences between sources issues: Long accents , Inaccuracies in GE , Inaccuracies in FE , GE revisions |
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b. 457-458
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composition: Op. 21, Concerto in F minor, Mvt III
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GE1 (→FE→EE) interpreted the slightly inaccurate slur of A to be starting from the beginning of the bar, which is certainly a mistake. category imprint: Graphic ambiguousness; Differences between sources issues: Inaccuracies in GE , Inaccurate slurs in A , GE revisions |
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b. 458-461
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composition: Op. 21, Concerto in F minor, Mvt III
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Both slurs in these bars are written in A inaccurately – their endings do not reach the crotchets in bars 459 and 461, although they point to them quite clearly. A comparison with analogous bars proves that they are almost certainly to be interpreted considering not only their position in relation to the bar lines. GE1 (→FE→EE) interpreted only the second of them in this way; moreover, both start from the 1st beat in bars 458 and 459, which is a mistake. The division of the slur in bar 460 is an arbitrary change introduced in GE2 (just like in the three previous analogous places). category imprint: Graphic ambiguousness; Differences between sources issues: Inaccuracies in GE , Inaccurate slurs in A , GE revisions |
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