Issues : Accidentals in different octaves
b. 257-260
|
composition: Op. 21, Concerto in F minor, Mvt III
..
In A there is no lowering g1 to g1 in bar 257 and both necessary flats in bar 260. The signs in bar 260 were added already in GE1 (→FE), whereas all three flats are included in EE and GE2. category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , GE revisions , Omission of current key accidentals , Inaccuracies in A |
|
b. 267
|
composition: Op. 21, Concerto in F minor, Mvt III
..
In A the flats were added in this bar in a visible haste, probably to complement the notation after the notes had been written. The signs before C and c are written a third too high, whereas instead of the necessary flats before g and c2 Chopin wrote signs before e and e1. The inaccuracy was not noticed in GE1 (→FE). The necessary signs were added only in EE and GE2, whereas the superfluous flats before e and e1 were removed only in EE. category imprint: Interpretations within context; Differences between sources issues: Accidentals in different octaves , Cautionary accidentals , Errors of A |
|
b. 268
|
composition: Op. 21, Concerto in F minor, Mvt III category imprint: Interpretations within context; Differences between sources issues: Accidentals in different octaves |
|
b. 311
|
composition: Op. 21, Concerto in F minor, Mvt III
..
In A (→GE1) naturals are written only before the 1st quaver in the L.H. and the 2nd quaver in the R.H. FE added a before the 4th quaver in the L.H. (possible Chopin's proofreading), whereas GE2 – both necessary naturals in the L.H. It is only EE that includes the correct text. category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , GE revisions , Authentic corrections of FE , Inaccuracies in A |
|
b. 315
|
composition: Op. 21, Concerto in F minor, Mvt III
..
Similarly as in bar 311, Chopin wrote the necessary naturals in A (→GE1→FE) only in the first triplet (in both hands). In this bar, the necessary additions were introduced only in EE and GE2. category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , GE revisions , Inaccuracies in A |