Issues : Accidentals in different octaves
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b. 257-260
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composition: Op. 21, Concerto in F minor, Mvt III
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In A there is no category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , GE revisions , Omission of current key accidentals , Inaccuracies in A |
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b. 267
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composition: Op. 21, Concerto in F minor, Mvt III
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In A the flats were added in this bar in a visible haste, probably to complement the notation after the notes had been written. The signs before C category imprint: Interpretations within context; Differences between sources issues: Accidentals in different octaves , Cautionary accidentals , Errors of A |
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b. 268
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composition: Op. 21, Concerto in F minor, Mvt III category imprint: Interpretations within context; Differences between sources issues: Accidentals in different octaves |
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b. 311
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composition: Op. 21, Concerto in F minor, Mvt III
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In A (→GE1) naturals are written only before the 1st quaver in the L.H. and the 2nd quaver in the R.H. FE added a category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , GE revisions , Authentic corrections of FE , Inaccuracies in A |
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b. 315
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composition: Op. 21, Concerto in F minor, Mvt III
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Similarly as in bar 311, Chopin wrote the necessary naturals in A (→GE1→FE) only in the first triplet (in both hands). In this bar, the necessary additions were introduced only in EE and GE2. category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , GE revisions , Inaccuracies in A |
lowering g1 to g
1 in bar 257 and both necessary flats in bar 260. The signs in bar 260 were added already in 
before the 4th quaver in the L.H. (possible Chopin's proofreading), whereas