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Op. 21, Concerto in F minor, Mvt III

Text Compare Notes Sources Description

Issues : Annotations in FED

b. 109

composition: Op. 21, Concerto in F minor, Mvt III

Fingering written into FED

No teaching fingering
..  

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FED

b. 170

composition: Op. 21, Concerto in F minor, Mvt III

Fingering written into FED

No teaching fingering
..

The double use of the 1st finger (cf. bar 171) was written in FED probably by Chopin.

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FED

b. 171

composition: Op. 21, Concerto in F minor, Mvt III

Fingering written into FED

No teaching fingering
..

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FED

b. 256

composition: Op. 21, Concerto in F minor, Mvt III

..

It is difficult to say what the annotation at the beginning of the 3rd triplet in FED means. It could be extension of the 6th and 7th quavers, as if notation of harmonic legato –  – yet, when taking into account the authentic pedalling, such a procedure seems to be pointless here.

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FED

b. 413-415

composition: Op. 21, Concerto in F minor, Mvt III

Fingering written into FED

No teaching fingering
..

The fingering of FED in these bars was written most probably by Chopin. The entry at the beginning of bar 414 is not very legible, since one of the two Chopinesque digits (24) was then "enhanced" by the pupil.

category imprint: Graphic ambiguousness; Differences between sources

issues: Annotations in teaching copies , Annotations in FED