Issues : Inaccuracies in A

b. 235

composition: Op. 21, Concerto in F minor, Mvt III

 in A (literal reading→GE1FE) & GE2

No sign in GE1a

 in A (contextual interpretation) & EE

..

When interpreted literally, the  sign in A (→GE1FE) suggests pressing pedal on the 5th, 6th or even 7th quaver in the bar. According to us, it is an inaccurate notation – Chopin had already little space under the note and writing the sign before would be even more misleading. According to us, it is EE that interpreted the composer's intention correctly.

In all copies of GE1a, the discussed sign was overlooked as a result of an inaccurately performed graphic proofreading of bars 235-236.

category imprint: Graphic ambiguousness; Differences between sources

issues: EE revisions , Errors resulting from corrections , Errors in GE , Inaccuracies in A

b. 236

composition: Op. 21, Concerto in F minor, Mvt III

..

In A (→GE1FE) there is no  lowering g2 to g2. The patent inaccuracy was corrected in EE and GE2. EE added also a  before f3, unnecessary according to the rules of validity of accidentals back then.

category imprint: Interpretations within context; Differences between sources

issues: EE revisions , Accidentals in different octaves , GE revisions , Omission of current key accidentals , Inaccuracies in A

b. 241-242

composition: Op. 21, Concerto in F minor, Mvt III

..

In A there are no flats lowering g1 to gat the beginning of bar 241 and at the end of bar 242. The first of them was added already in GE1 (→FEEE, →GE2), the second one – only in EE.

category imprint: Differences between sources

issues: EE revisions , Accidentals in different octaves , GE revisions , Omission of current key accidentals , Inaccuracies in A

b. 246-248

composition: Op. 21, Concerto in F minor, Mvt III

..

Three necessary accidentals are missing in A – flats lowering g1 to g1 in bar 246, c3 to c3 in bar 247 and c1 to c1 in bar 248. These patent inaccuracies were corrected in GE (→FEEE).

category imprint: Interpretations within context; Differences between sources

issues: Accidentals in different octaves , GE revisions , Omission of current key accidentals , Inaccuracies in A

b. 250-252

composition: Op. 21, Concerto in F minor, Mvt III

..

Three necessary accidentals are missing in A – flats lowering g1 to g1 in bar 250, c3 to c3 in bar 251 and c4 to c4 in bar 252. The first of them was added in GE1 (→FEEE, →GE2), whereas the third – in EE and GE2. The flat in bar 251 is not featured in any of the sources.

category imprint: Interpretations within context; Differences between sources

issues: EE revisions , Accidentals in different octaves , GE revisions , Omission of current key accidentals , Inaccuracies in A