Select: 
Category
All
Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Pitch
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Importance
All
Important
Main


Pitch

b. 424

composition: Op. 21, Concerto in F minor, Mvt III

..

In the main text we omit the  before ein the last chord in the L.H. Cf. bars 413-415.

category imprint: Editorial revisions

issues: Cautionary accidentals , Last key signature sign

b. 425

composition: Op. 21, Concerto in F minor, Mvt III

..

In the main text we add a cautionary  before a1. The sign was added already in EE.

category imprint: Differences between sources; Editorial revisions

issues: EE revisions

b. 426-428

composition: Op. 21, Concerto in F minor, Mvt III

..

It is only GE2 that includes a natural before b2, the 4th quaver in bars 426 and 428; however, due to the use of an octave sign, we consider the sound of this note to be specified also in the remaining sources. 

category imprint: Differences between sources; Source & stylistic information

issues: Accidentals in different octaves , GE revisions

b. 428

composition: Op. 21, Concerto in F minor, Mvt III

..

Differently than in analogous bar 426, there is no cautionary  before b in A (→GE1FEEE), yet there is a  before e1, unnecessary in this context. In GE2, a  was added to the . In the main text we give a more logical notation, used by Chopin in bar 426 as well as in two analogous places (bars 466 and 468).
The sources include a superfluous  also before ein the R.H. Cf. bars 413-415.

category imprint: Differences between sources; Editorial revisions

issues: GE revisions , Cautionary accidentals , Last key signature sign

b. 433

composition: Op. 21, Concerto in F minor, Mvt III

..

In A the notation of accidentals in this bar is inaccurate:

  • there is only one  before the 1st chord in the R.H.; moreover, it is written in such a way that one cannot be certain which note it concerns (we assume that it is d3),
  • in each of the triplets, a  is only before the 1st note,
  • no  before the bottom note of the third in the L.H. on the 3rd beat of the bar.

The necessary signs were added already in GE1 (→FE); however, the  before the bottom note of the octave in the L.H. at the beginning of the bar was overlooked. EE and GE2 feature the correct notation.

category imprint: Interpretations within context; Differences between sources

issues: EE revisions , Accidentals in different octaves , GE revisions , Omission of current key accidentals , Errors of A , Accidental below/above the note