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Op. 21, Concerto in F minor, Mvt III

Text Compare Notes Sources Description

Issues : Cautionary accidentals

b. 122

composition: Op. 21, Concerto in F minor, Mvt III

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The cautionary flats before B and b at the beginning of the bar were added in the proofreading of FE (→EE). It seems to be likely that it was done by Chopin, who introduced cautionary flats before e and e1 in an analogous situation in the next bar already in A.

category imprint: Differences between sources

issues: Cautionary accidentals , Authentic corrections of FE

b. 213-216

composition: Op. 21, Concerto in F minor, Mvt III

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In the main text we add cautionary flats before e3 in bar 213 and a2 in bar 216 after analogous signs written by Chopin before d3 in bar 215 and b2 in bar 214.

category imprint: Editorial revisions

issues: Cautionary accidentals

b. 227

composition: Op. 21, Concerto in F minor, Mvt III

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Chopin wrote four cautionary flats in A – three at the beginning of the bar and a fourth one before d3. The signs were repeated in GE, whereas in FE (→EE1) the flats before the octave in the L.H. were overlooked. These were in turn restored – most probably on the basis of comparison with GE1 – in EE2 (→EE3). In the main text we add five cautionary signs more, before b2, b1, c3, e3 and d2.

category imprint: Differences between sources; Editorial revisions

issues: EE revisions , Cautionary accidentals , FE revisions , Last key signature sign

b. 229

composition: Op. 21, Concerto in F minor, Mvt III

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A has a cautionary  only before d2. A second sign was added in GE (→FE→EE).

category imprint: Differences between sources

issues: GE revisions , Cautionary accidentals

b. 237

composition: Op. 21, Concerto in F minor, Mvt III

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The cautionary  before f3 was added in the proofreading of FE (→EE), perhaps by Chopin.

category imprint: Differences between sources

issues: Cautionary accidentals , Authentic corrections of FE