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Issues : Errors resulting from corrections
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b. 236-237
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composition: Op. 21, Concerto in F minor, Mvt III
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In GE1, the slur in bar 236, at the end of the line, indicates continuation, which, however, is not confirmed by the slur in bar 237. This ambiguous notation was interpreted contrary to the notation of A both in FE (→EE) and GE2. It is worth observing that the compliance of the slur of GE1 in bar 236 with A is a result of intense proofreading – originally, the entire line (bars 232-236) was provided with one-bar slurs. At the same time, the traces of the changes in bars 235-236 became so visible over time that GE1a was reengraved in this place. The oversight of the dashes marking the range of validity of the octave sign at the end of bar 236 was a side effect of this retouch. category imprint: Graphic ambiguousness; Differences between sources issues: Inaccuracies in GE , Errors resulting from corrections , GE revisions , FE revisions , Corrected slurs of Op. 21 in GE1 |
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b. 243
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composition: Op. 21, Concerto in F minor, Mvt III
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In FE the last chord has a quaver stem. The absence of rest, required if the chord was shortened, proves that it is a mistake, probably stemming from a misunderstanding at the time of implementing extensive proofreading of pitch and rhythmic values in bars 243-244. category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in FE , Errors resulting from corrections |
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b. 296
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composition: Op. 21, Concerto in F minor, Mvt III
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A has an a category imprint: Interpretations within context; Differences between sources issues: Errors resulting from corrections , Terzverschreibung error , Errors in the number of ledger lines , Errors of A , Authentic corrections of GE |
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b. 401
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composition: Op. 21, Concerto in F minor, Mvt III
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An additional c2 in the chord must be a mistake, since the note does not result from the link to the previous chord; it unnecessarily precedes the next, accented minim. We are most probably dealing with an unfinished proofreading of a major mistake – the traces of removing c3 visible in this place in FE may indicate that it was the 1st chord from the previous bar, c2-f2-c3, that was printed here in the first place. While proofreading this mistake, both missing notes were added (f1-a category imprint: Differences between sources |
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b. 403
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composition: Op. 21, Concerto in F minor, Mvt III
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Originally, the 2nd crotchet in the bar in A was a c2-f2-c3. Chopin changed the middle note from f2 to e category imprint: Differences between sources; Corrections & alterations issues: Corrections in A , Errors resulting from corrections , Errors in GE , GE revisions |
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