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Issues : Errors in FE
b. 41
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composition: Op. 21, Concerto in F minor, Mvt III
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category imprint: Differences between sources issues: Errors in FE |
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b. 63-64
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composition: Op. 21, Concerto in F minor, Mvt III
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Replacing the single f1 note with an f-f1 octave in FE (→EE) is certainly a change introduced by Chopin – cf. 1st mov., bar 348. However, the same cannot be said of printing this octave with notes of a normal size, in both bars. There had to be a misunderstanding at the time of implementing the proofreading, since adding this octave to the solo part is unimaginable, as far as the logic of the dialogue between the soloist and the orchestra is concerned. category imprint: Differences between sources; Corrections & alterations issues: Errors in FE , Errors resulting from corrections , Authentic corrections of FE |
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b. 73
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composition: Op. 21, Concerto in F minor, Mvt III
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FE has an erroneous f2 instead of e category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in FE |
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b. 78-79
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composition: Op. 21, Concerto in F minor, Mvt III
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In the main text we give dynamic markings of A, which are unquestionable, as far as sources and music are concerned. In this context, the markings of GE1 (→FE →EE) – two subsequent category imprint: Graphic ambiguousness; Differences between sources; Corrections & alterations issues: Errors in FE , Errors in GE , GE revisions , Authentic corrections of GE , Inaccuracies in A , Partial corrections |
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b. 90-92
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composition: Op. 21, Concerto in F minor, Mvt III
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In FE, the accent in bar 90 was overlooked, which is undoubtedly a mistake. The sign was added in EE, probably by analogy with identical bar 92. Same as in all subsequent, similar bars, EE has short accents (cf. notes in bars 98-103, 106-108 and 114-116). category imprint: Differences between sources issues: Long accents , EE revisions , Errors in FE |