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Issues : Authentic corrections of FE
b. 63-64
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composition: Op. 21, Concerto in F minor, Mvt III
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Replacing the single f1 note with an f-f1 octave in FE (→EE) is certainly a change introduced by Chopin – cf. 1st mov., bar 348. However, the same cannot be said of printing this octave with notes of a normal size, in both bars. There had to be a misunderstanding at the time of implementing the proofreading, since adding this octave to the solo part is unimaginable, as far as the logic of the dialogue between the soloist and the orchestra is concerned. category imprint: Differences between sources; Corrections & alterations issues: Errors in FE , Errors resulting from corrections , Authentic corrections of FE |
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b. 68
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composition: Op. 21, Concerto in F minor, Mvt III
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Moving the 2nd crotchet an octave lower is undoubtedly a result of a Chopin proofreading of FE (→EE). He introduced an identical change in an analogous situation in bar 76. category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of FE , Main-line changes |
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b. 75
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composition: Op. 21, Concerto in F minor, Mvt III
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In the main text we give G category imprint: Differences between sources; Corrections & alterations issues: Errors resulting from corrections , Accompaniment changes , Authentic corrections of FE |
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b. 76
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composition: Op. 21, Concerto in F minor, Mvt III
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Same as in the previous phrase, Chopin moved the 2nd crotchet in the part of both hands an octave lower while proofreading FE (→EE). The given variants include the presence or absence of the staccato dot overlooked in GE1 (→FE→EE), together with three previous ones. category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of FE , Main-line changes |
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b. 77
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composition: Op. 21, Concerto in F minor, Mvt III
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The version of FE (without e category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of FE |