Issues : EE revisions
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b. 423
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composition: Op. 21, Concerto in F minor, Mvt III
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In FE the 1st beat is written an octave lower and it was supposed to be encompassed with an octave sign, which, however, begins only from the 2nd beat of the bar. In EE1 the octave sign starts only from the next bar, which seems to be a result of a misunderstanding during an attempt to correct the mistake of FE. The subsequent EE already include the correct text, compliant with A (→GE). category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in FE , Errors in EE |
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b. 423-424
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composition: Op. 21, Concerto in F minor, Mvt III
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The part of the slur falling on bar 424, the first one in a new line, was overlooked in FE. This patent deficiency was completed in EE by adding a separate slur in this bar. category imprint: Differences between sources issues: EE revisions , Errors in FE |
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b. 424
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composition: Op. 21, Concerto in F minor, Mvt III
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FE has an a category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in FE |
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b. 425
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composition: Op. 21, Concerto in F minor, Mvt III
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In the main text we add a cautionary category imprint: Differences between sources; Editorial revisions issues: EE revisions |
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b. 428
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composition: Op. 21, Concerto in F minor, Mvt III
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We suggest adding an arpeggio mark in the main text, since the arpeggio written in A in bar 428 is, according to us, to be regarded as the model for all analogous bars (including 466 and 468). The wavy lines were added already in EE3. category imprint: Differences between sources; Editorial revisions issues: EE revisions |
2 (a2?) as the last quaver. The mistake was corrected in 
before a1. The sign was added already in 
