Issues : Errors in FE

b. 455-456

composition: Op. 21, Concerto in F minor, Mvt III

3 long accents in A

3 short accents in GE

2 short accents in FE (→EE)

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The notation of the three subsequent accents is unambiguous in A – they are 3 long accents. In spite of this, GE reproduced them as short accents, whereas in FE (→EE) the third of them was overlooked.

category imprint: Differences between sources

issues: Long accents , Errors in FE , Inaccuracies in GE

b. 456

composition: Op. 21, Concerto in F minor, Mvt III

Dotted crotchet in A & GE2

Crotchet in GE1

Only quaver in FE (→EE)

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Both the absence of the dot extending the ccrotchet in GE1 and the complete omission of the extension of this quaver in FE (→EE) must be mistakes.

category imprint: Differences between sources

issues: Errors in FE , Inaccuracies in GE , GE revisions

b. 487

composition: Op. 21, Concerto in F minor, Mvt III

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FE features an Aas the minim on the 2nd beat of the bar. If we take into consideration the piano part and this bar only, the note would be absolutely natural, yet in a broader context, it is obviously erroneous, since the stability of the bass note is out of the question in this place – cf. C-c in the double basses and cellos in Morch. The mistake was corrected in EE, most probably following the logic of the harmonic progression. Chopin did not notice this mistake both in the proofreading of FE (in spite of adding an accent!) and during lessons, which may mean that the pupil did not notice it either.

category imprint: Interpretations within context; Differences between sources

issues: EE revisions , Errors in FE , Terzverschreibung error

b. 491

composition: Op. 21, Concerto in F minor, Mvt III

c1 in chord in A (→GE) & EE2 (→EE3)

No c1 in FE (→EE1)

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The missing cbass note in the chord must be a mistake of FE (→EE1). The mistake was corrected in EE2 (→EE3), most probably on the basis of comparison with GE1.

category imprint: Differences between sources

issues: EE revisions , Errors in FE

b. 493-494

composition: Op. 21, Concerto in F minor, Mvt III

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A lacks in the Solo marking, which most probably resulted from haste – this otherwise obvious marking is present both in Morch and GE (→FEEE). Due to a misunderstanding of the notation of GE1, the marking was placed in FE (→EE) over bar 493.

category imprint: Differences between sources; Editorial revisions

issues: Errors in FE , GE revisions , Inaccuracies in A