Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Op. 21, Concerto in F minor, Mvt III
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While writing 
, Chopin probably used a former convention, according to which a sign was put near to the middle of the range of its validity (in this case bars 253-254). This kind of notation is probably to be found in, e.g. the Etude in C major, op. 10 no. 1, bar 45.
Compare the passage in the sources »
category imprint: Interpretations within context; Editorial revisions
issues: Centrally placed marks
notation: Verbal indications
