Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Op. 21, Concerto in F minor, Mvt III
Fingering written into FED |
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No teaching fingering |
It is interesting that Chopin gave the 5th finger (cf. bar 109) in the ascending passage with an identical interval structure and a similar arrangement of white and black keys. It seems that he considered the second fingering to be more universal in this kind of positions – in the 2nd mov., in bar 31 the fingering 1-5 is copied on the same notes (g2-f2), although in this case there is no choice, since one has to play 5 notes in one position.
Compare the passage in the sources »
category imprint: Differences between sources
issues: Annotations in teaching copies, Annotations in FED
notation: Fingering