b. 48
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composition: Op. 21, Concerto in F minor, Mvt III
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The middle note of the 2nd chord in GE1 (→FE1) is an erroneous b1 (instead of c2 present in A). The mistake was corrected in FE2 (→EE). category imprint: Differences between sources issues: Errors in GE , Authentic corrections of FE , Errors repeated in FE |
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b. 48
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composition: Op. 21, Concerto in F minor, Mvt III
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A has an a1 as the lowest note in the 3rd chord. Chopin's mistake is proved by g1 in the clarinet part in Morch as well as by a comparison with analogous bar 392. The mistake was corrected, perhaps by Chopin, already in GE1 (→FE→EE, →GE2). category imprint: Interpretations within context; Differences between sources issues: Errors of A , Authentic corrections of GE |
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b. 49-59
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composition: Op. 21, Concerto in F minor, Mvt III
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In the main text we suggest adding articulation markings – dots and slurs – in the places where the homogeneous rhythm and character of the parts of both hands are beyond doubt. category imprint: Editorial revisions |
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b. 51-53
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composition: Op. 21, Concerto in F minor, Mvt III
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In the main text we add a slur for the 1st bassoon part, equivalent to the flute and clarinet parts, embraced with a slur in the part of the R.H. In A, a corresponding slur is present in analogous bars 396-397. category imprint: Editorial revisions |
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b. 52-53
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composition: Op. 21, Concerto in F minor, Mvt III
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The slur of A is most probably inaccurate, since there is no reason to separate the last note of the phrase, played by the wind quartet and provided with one continuous slur in Morch. Therefore, in the main text we suggest a slur corresponding to the phrasing written in the parts of violin I and clarinet I in Morch. category imprint: Differences between sources; Editorial revisions issues: Inaccurate slurs in A |