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Op. 21, Concerto in F minor, Mvt III

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b. 331

composition: Op. 21, Concerto in F minor, Mvt III

Minims in A & FE

Dotted minims in GE & EE
..

The missing dots extending the b-d1 third in FE may mean that they could have been added in the last phase of proofreading of GE1. The authenticity of this addition is questionable (same as of a similar change in EE).

category imprint: Differences between sources

issues: EE revisions , GE revisions

b. 332

composition: Op. 21, Concerto in F minor, Mvt III

Slur in A & GE2

No slur in GE1 (→FE→EE)
..

The missing slur in GE1 (→FE→EE) must be an oversight of the engraver, corrected in GE2.

category imprint: Differences between sources

issues: Errors in GE , GE revisions

b. 334

composition: Op. 21, Concerto in F minor, Mvt III

Long accent in A

Short accent in GE (→FE→EE)
..

The accent in A is clearly longer than the signs in, e.g. the previous two bars, yet in the editions it was reproduced as a short accent.

category imprint: Differences between sources

issues: Long accents , Inaccuracies in GE

b. 334

composition: Op. 21, Concerto in F minor, Mvt III

Dot in A & GE2

No mark in GE1 (→FE→EE)
..

The absence of the staccato dot in GE1 (→FE→EE) must be an oversight, corrected in GE2 on the basis of A.

category imprint: Differences between sources

issues: Errors in GE , GE revisions

b. 334

composition: Op. 21, Concerto in F minor, Mvt III

..

In A one can see a correction of the bottom note of the last crotchet in the L.H. Chopin initially wrote a b which he then reworked into a c1 and added names of both notes for the sake of clarity – c-g. According to us, it is probably a correction of an erroneously written version of the accompaniment (cf. bar 326) and not a change implying an improvement.

 

category imprint: Corrections & alterations

issues: Corrections in A