Page: 
Source: 
p. 1, b. 1-18
p. 1, b. 1-18
p. 2, b. 19-28
p. 3, b. 29-40
p. 4, b. 41-52
p. 5, b. 53-63
p. 6, b. 64-74
p. 7, b. 75-80
p. 8, b. 81-97
Main text
Main text
½A - Semi-autograph
A - Autograph of the piano part
Morch - Manuscript of the orchestra part
GE - German edition
GE1 - First German edition
GE1a - Retouched impression of GE1
GE2 - Second German edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE1
EE3 - Corrected impression of EE2
Select notes: 
Category
All
Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
½A - Semi-autograph
A - Autograph of the piano part
Morch - Manuscript of the orchestra part
GE - German edition
GE1 - First German edition
GE1a - Retouched impression of GE1
GE2 - Second German edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE1
EE3 - Corrected impression of EE2
Importance
All
Important
Main
Prezentacja
Select 
copy link PDF Main text


  b. 7-17

In A the presence of staccato dots over the bass notes in all figures of this type, both whole-bar (bars 7-8) and half-bar (bars 9-13, 15 and 17) is beyond any doubts, although one is missing (the second in bar 9, over B) and two other are placed over the notes that were deleted in the original version (the first in bars 10 and 15). In GE1 (→FE) the majority of them were omitted (only the dots in bars 8, 11-12 and 17 remained). EE and GE2 include versions close to the main text: in EE only the first dot in bar 13 is missing, while in GE2 – the one in bar 15.

Compare the passage in the sources »

category imprint: Interpretations within context; Differences between sources

issues: EE revisions, Inaccuracies in GE, GE revisions

notation: Articulation, Accents, Hairpins

Missing markers on sources: A, Morch, FE1, FE2, FEJ, FES, GE1, GE1a, GE2, EE1, EE2, EE3