Page: 
Source: 
p. 8, b. 81-97
p. 1, b. 1-18
p. 2, b. 19-28
p. 3, b. 29-40
p. 4, b. 41-52
p. 5, b. 53-63
p. 6, b. 64-74
p. 7, b. 75-80
p. 8, b. 81-97
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Main text
½A - Semi-autograph
A - Autograph of the piano part
Morch - Manuscript of the orchestra part
GE - German edition
GE1 - First German edition
GE1a - Retouched impression of GE1
GE2 - Second German edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE1
EE3 - Corrected impression of EE2
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Graphic ambiguousness
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Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
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Ornaments
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½A - Semi-autograph
A - Autograph of the piano part
Morch - Manuscript of the orchestra part
GE - German edition
GE1 - First German edition
GE1a - Retouched impression of GE1
GE2 - Second German edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE1
EE3 - Corrected impression of EE2
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  b. 85

Grace note & arpeggio sign in A

Grace note in GE1

Double grace note in FE (→EE)

Slur & grace note in GE2

Both authentic notations of the ornament – A and FE (→EE) – mean the same performance. The mistake of GE1 originated from an unrecognised arpeggio sign in the vertical slur, which, at that period of Chopin's life, would increasingly replace the more accurately written signs in the form of a wavy line. The way the slur was added in GE2 caused that the proper sense of the Chopin notation was still not conveyed in this edition. 

Compare the passage in the sources»

category imprint: Differences between sources; Corrections & alterations

issues: Errors in GE, GE revisions, Authentic corrections of FE

notation: Ornaments

Missing markers on sources: A, Morch, FE1, FE2, FED, FEJ, FES, GE1, GE1a, GE2, EE1, EE2, EE3