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p. 5, b. 53-63
p. 1, b. 1-18
p. 2, b. 19-28
p. 3, b. 29-40
p. 4, b. 41-52
p. 5, b. 53-63
p. 6, b. 64-74
p. 7, b. 75-80
p. 8, b. 81-97
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½A - Semi-autograph
A - Autograph of the piano part
Morch - Manuscript of the orchestra part
GE - German edition
GE1 - First German edition
GE1a - Retouched impression of GE1
GE2 - Second German edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE1
EE3 - Corrected impression of EE2
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½A - Semi-autograph
A - Autograph of the piano part
Morch - Manuscript of the orchestra part
GE - German edition
GE1 - First German edition
GE1a - Retouched impression of GE1
GE2 - Second German edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE1
EE3 - Corrected impression of EE2
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  b. 63

Dotted quaver in A (→GE1)

Quaver in FE (→EE)

Dotted quaver & '6' in GE2

Dotted quaver & '3' suggested by the editors

The group of notes on the 1st beat of the bar was not provided with a digit specifying the number of notes by Chopin. It was added only in GE2, by inserting a '6'. In the main text we recommend a '3', suggesting grouping semiquavers in twos in a clearer manner. If Chopin had heard semiquavers grouped in threes, he could have written the 1st note as a quaver without a dot. However, the discussed situation is far from being unambiguous, particularly given that in the proofreading of FE (→EE) the dot extending the quaver was removed (in the parts of both hands), which could have been performed by Chopin. Taking into consideration the fact that possible differences in performance are practically minimal, we regard each of the versions as acceptable. 

If in bar 53 the version with harmonic accompaniment was chosen, the second or third version is to be selected here.

Compare the passage in the sources»

category imprint: Interpretations within context; Differences between sources

issues: GE revisions, Authentic corrections of FE

notation: Rhythm

Missing markers on sources: A, Morch, FE1, FE2, FED, FEJ, FES, GE1, GE1a, GE2, EE1, EE2, EE3