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p. 5, b. 53-63
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In the part of the R.H. one can see in A a correction of the rhythmic notation on the 2nd beat of the bar – the 2nd and 3rd notes of the triplet had a semiquaver beam, whose top line was erased afterwards. The changes most probably spanned the entire 1st half of the bar, originally consisting of a dotted crotchet and two semiquavers, which Chopin skillfully corrected, avoiding, so far as possible, deletions and erasures.
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category imprint: Corrections & alterations
issues: Corrections in A
notation: Rhythm
Missing markers on sources:
A, Morch, FE1, FE2, FED, FEJ, FES, GE1, GE1a, GE2, EE1, EE2, EE3