mUltimate Chopin

Op. 21, Concerto in F minor, Mvt II

Text Compare Notes Sources Description
Page: 
Source: 
p. 7, b. 77-88
p. 1
p. 2, b. 1-14
p. 3, b. 15-31
p. 4, b. 32-46
p. 5, b. 47-63
p. 6, b. 64-76
p. 7, b. 77-88
p. 8, b. 89-97
GE1 - First German edition
Main text
½A - Semi-autograph
A - Autograph of the piano part
Morch - Manuscript of the orchestra part
GE - German edition
GE1 - First German edition
GE1a - Retouched impression of GE1
GE2 - Second German edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE1
EE3 - Corrected impression of EE2
Select notes: 
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Pitch
Rhythm
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Differences
No differences
½A - Semi-autograph
A - Autograph of the piano part
Morch - Manuscript of the orchestra part
GE - German edition
GE1 - First German edition
GE1a - Retouched impression of GE1
GE2 - Second German edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE1
EE3 - Corrected impression of EE2
Importance
All
Important
Main
Undo Clear
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copy link PDF GE1 - First German edition

  b. 84

 in A

 in GE

 in FE

 in EE

The  sign, concerning the last two octaves of this phrase in A, was being gradually deformed in the editions, so that EE suggests a crescendo for the entire 2nd half of the bar. In the main text we preserve the notation of A.

Compare the passage in the sources »

category imprint: Differences between sources

issues: Inaccuracies in GE, Inaccuracies in FE, EE inaccuracies

notation: Articulation, Accents, Hairpins

Missing markers on sources: A, Morch, FE1, FE2, FED, FEJ, FES, GE1, GE1a, GE2, EE1, EE2, EE3
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