Page: 
Source: 
p. 5, b. 58-74
p. 1
p. 2, b. 1-25
p. 3, b. 26-40
p. 4, b. 41-57
p. 5, b. 58-74
p. 6, b. 75-86
p. 7, b. 87-97
GE2 - Second German edition
Main text
½A - Semi-autograph
A - Autograph of the piano part
Morch - Manuscript of the orchestra part
GE - German edition
GE1 - First German edition
GE1a - Retouched impression of GE1
GE2 - Second German edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE1
EE3 - Corrected impression of EE2
Select notes: 
Category
All
Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
½A - Semi-autograph
A - Autograph of the piano part
Morch - Manuscript of the orchestra part
GE - German edition
GE1 - First German edition
GE1a - Retouched impression of GE1
GE2 - Second German edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE1
EE3 - Corrected impression of EE2
Importance
All
Important
Main
Prezentacja
Select 
copy link PDF GE2 - Second German edition

Original in: The Fryderyk Chopin Institute Library, Warsaw


  b. 67

e1(2) repeated in A (GE1 (→FEEE)

e1(2) tied in GE2

Idem, R.H. only

The tie of e1(2) is undoubtedly an arbitrary addition of the reviser of GE2.

Compare the passage in the sources»

category imprint: Differences between sources

issues: GE revisions

notation: Rhythm

Missing markers on sources: A, Morch, FE1, FE2, FED, FEJ, FES, GE1, GE1a, GE2, EE1, EE2, EE3