The distinct wedge over the 1st chord written in A was overlooked in GE1. When proofreading FE (→EE), Chopin restored the staccato sign, yet this time in the form of a dot. The version, being the latest, should be adopted in the main text, if it were not for doubts whether the sign written by Chopin was reproduced correctly. Errors in interpretation of Chopin wedges would be very frequent in first editions – cf. e.g. the Etude in E
major, Op. 10 No. 11, bars 2-14 or 16-23. Therefore, we leave the wedge as the undoubtedly authentic and generally compliant with the nature of the Chopin proofreading, whose main objective was to restore the overlooked staccato sign.
GE2 added a dot here, same as in the previous bar.
Compare the passage in the sources»
category imprint: Differences between sources; Corrections & alterations
issues: Errors in GE, GE revisions, Authentic corrections of FE, Wedges
notation: Articulation, Accents, Hairpins