mUltimate Chopin

Page:

Source:

p. 19, b. 287-298

p. 1, b. 1-22

p. 2, b. 23-49

p. 3, b. 50-76

p. 4, b. 77-92

p. 5, b. 93-104

p. 6, b. 105-114

p. 7, b. 115-124

p. 8, b. 125-140

p. 9, b. 141-153

p. 10, b. 154-168

p. 11, b. 169-180

p. 12, b. 181-204

p. 13, b. 205-219

p. 14, b. 220-230

p. 15, b. 231-240

p. 16, b. 241-250

p. 17, b. 251-267

p. 18, b. 268-286

p. 19, b. 287-298

p. 20, b. 299-313

p. 21, b. 314-327

p. 22, b. 328-348

Main text

½A - Semi-autograph

A - Autograph of the piano part

Morch - Manuscript of the orchestra part

GE - German edition

GE1 - First German edition

GE1a - Retouched impression of GE1

GE2 - Second German edition

FE - French edition

FE1 - First French edition

FE2 - Corrected impression of FE1

FED - Dubois copy

FEJ - Jędrzejewicz copy

FES - Stirling copy

EE - English edition

EE1 - First English edition

EE2 - Revised impression of EE1

EE3 - Corrected impression of EE2

Select notes:

mark annotations

Category

Notation

Differences

No differences

½A - Semi-autograph

A - Autograph of the piano part

Morch - Manuscript of the orchestra part

GE - German edition

GE1 - First German edition

GE1a - Retouched impression of GE1

GE2 - Second German edition

FE - French edition

FE1 - First French edition

FE2 - Corrected impression of FE1

FED - Dubois copy

FEJ - Jędrzejewicz copy

FES - Stirling copy

EE - English edition

EE1 - First English edition

EE2 - Revised impression of EE1

EE3 - Corrected impression of EE2

Importance

Undo Clear

transcript

Prezentacja

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b. 287

This time the returning d²overlooked by Chopin – as in analogous bar 139 – was added already in GE1 (→FE→EE, →GE2).

Compare the passage in the sources»

category imprint: Interpretations within context; Differences between sources

issues: Authentic corrections of GE

notation: Pitch

Missing markers on sources: GE1, A, GE1a, Morch, GE2, FE1, FE2, FES, FED, FEJ, EE1, EE2, EE3

Complete ➔

Op. 21, Concerto in F minor, Mvt I