mUltimate Chopin

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Source:

p. 13, b. 71-77

p. 1

p. 2, b. 1-6

p. 3, b. 7-13

p. 4, b. 14-19

p. 5, b. 20-26

p. 6, b. 27-32

p. 7, b. 33-39

p. 8, b. 40-45

p. 9, b. 46-51

p. 10, b. 52-57

p. 11, b. 58-63

p. 12, b. 64-70

p. 13, b. 71-77

p. 14, b. 78-81

p. 15, b. 82-86

p. 16, b. 87-91

p. 17, b. 92-96

p. 18, b. 97-100

p. 19, b. 101-105

p. 20, b. 106-110

p. 21, b. 111-115

p. 22, b. 116-120

p. 23, b. 121-125

p. 24, b. 126-131

p. 25, b. 132-137

p. 26, b. 138-141

p. 27, b. 142-145

p. 28, b. 146-149

p. 29, b. 150-154

p. 30, b. 155-159

p. 31, b. 160-164

p. 32, b. 165-168

p. 33, b. 169-172

p. 34, b. 173-176

p. 35, b. 177-180

p. 36, b. 181-185

p. 37, b. 186-191

p. 38, b. 192-196

p. 39, b. 197-201

p. 40, b. 202-206

p. 41, b. 207-212

p. 42, b. 213-216

p. 43, b. 217-220

p. 44, b. 221-224

p. 45, b. 225-228

p. 46, b. 229-232

p. 47, b. 233-236

p. 48, b. 237-240

p. 49, b. 241-244

p. 50, b. 245-248

p. 51, b. 249-252

p. 52, b. 253-256

p. 53, b. 257-261

p. 54, b. 262-266

p. 55, b. 267-272

p. 56, b. 273-277

p. 57, b. 278-283

p. 58, b. 284-288

p. 59, b. 289-293

p. 60, b. 294-297

p. 61, b. 298-301

p. 62, b. 302-305

p. 63, b. 306-309

p. 64, b. 310-313

p. 65, b. 314-317

p. 66, b. 318-321

p. 67, b. 322-325

p. 68, b. 326-329

p. 69, b. 330-333

p. 70, b. 334-338

p. 71, b. 339-343

p. 72, b. 344-348

A - Autograph of the piano part

Main text

½A - Semi-autograph

A - Autograph of the piano part

Morch - Manuscript of the orchestra part

GE - German edition

GE1 - First German edition

GE1a - Retouched impression of GE1

GE2 - Second German edition

FE - French edition

FE1 - First French edition

FE2 - Corrected impression of FE1

FED - Dubois copy

FEJ - Jędrzejewicz copy

FES - Stirling copy

EE - English edition

EE1 - First English edition

EE2 - Revised impression of EE1

EE3 - Corrected impression of EE2

Select notes:

mark annotations

Category

Notation

Differences

No differences

½A - Semi-autograph

A - Autograph of the piano part

Morch - Manuscript of the orchestra part

GE - German edition

GE1 - First German edition

GE1a - Retouched impression of GE1

GE2 - Second German edition

FE - French edition

FE1 - First French edition

FE2 - Corrected impression of FE1

FED - Dubois copy

FEJ - Jędrzejewicz copy

FES - Stirling copy

EE - English edition

EE1 - First English edition

EE2 - Revised impression of EE1

EE3 - Corrected impression of EE2

Importance

Undo Clear

image transcript edited text

Prezentacja

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copy link PDF A - Autograph of the piano part

Original in: Biblioteka Narodowa, Warsaw

b. 72-73

End of slur in A, contextual interpretation

GE (→FE→EE)

When interpreted literally, the slur of A ends over the penultimate semiquaver in bar 72. While the very inaccuracy of notation is hardly disputable, it is uncertain where the slur was supposed to reach, according to Chopin's intention. The interpretation of the editions is certainly possible, yet, according to us, embracing the entire first musical thought (to the F₁-F octave in bar 73) is more likely, showing the overlapping segments of this introduction to the 1st theme in the solo part better.

Compare the passage in the sources»

category imprint: Graphic ambiguousness; Differences between sources

issues: Inaccurate slurs in A, GE revisions

notation: Slurs

Missing markers on sources: GE1, GE1a, Morch, GE2, FE1, FE2, FES, FED, FEJ, EE1, EE2, EE3

Complete ➔

Op. 21, Concerto in F minor, Mvt I