Page: 
Source: 
p. 3, b. 1-30
p. 1
p. 2
p. 3, b. 1-30
p. 4, b. 31-62
p. 5, b. 63-90
p. 6, b. 91-109
p. 7, b. 110-127
p. 8, b. 128-147
p. 9, b. 148-165
p. 10, b. 166-187
p. 11, b. 188-216
p. 12, b. 217-232
p. 13, b. 233-250
p. 14, b. 251-274
p. 15, b. 275-295
p. 16, b. 296-314
p. 17, b. 315-335
p. 18, b. 336-348
GE1 - First German edition
Main text
½A - Semi-autograph
A - Autograph of the piano part
Morch - Manuscript of the orchestra part
GE - German edition
GE1 - First German edition
GE1a - Retouched impression of GE1
GE2 - Second German edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE1
EE3 - Corrected impression of EE2
Select notes: 
Category
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Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
½A - Semi-autograph
A - Autograph of the piano part
Morch - Manuscript of the orchestra part
GE - German edition
GE1 - First German edition
GE1a - Retouched impression of GE1
GE2 - Second German edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE1
EE3 - Corrected impression of EE2
Importance
All
Important
Main
Prezentacja
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copy link PDF GE1 - First German edition


  b. 26

Long accent in A (probable reading)

2 accents in GE1

Accent in FE (→EE)

2 accents in GE2

The accent over the fminim visible in A may be interpreted as short or long. Among the remaining versions, the text of GE1 could have come from Chopin; however, an unambiguous, comprehensive reconstruction of the course of possible corrections of first editions does not seem to be possible in this place. Taking into account the fact that each notation emphasises – in one way or another – a syncopated entrance of a new, altered chord, in the main text we leave the undoubtedly authentic notation of A (in the version with a long accent, more likely in this context).

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category imprint: Graphic ambiguousness; Differences between sources

issues: Long accents, Errors in FE, GE revisions, Authentic corrections of GE

notation: Articulation, Accents, Hairpins

Missing markers on sources: GE1, A, GE1a, Morch, GE2, FE1, FE2, FES, FED, FEJ, EE1, EE2, EE3