Page: 
Source: 
p. 5, b. 93-104
p. 1, b. 1-22
p. 2, b. 23-49
p. 3, b. 50-76
p. 4, b. 77-92
p. 5, b. 93-104
p. 6, b. 105-114
p. 7, b. 115-124
p. 8, b. 125-140
p. 9, b. 141-153
p. 10, b. 154-168
p. 11, b. 169-180
p. 12, b. 181-204
p. 13, b. 205-219
p. 14, b. 220-230
p. 15, b. 231-240
p. 16, b. 241-250
p. 17, b. 251-267
p. 18, b. 268-286
p. 19, b. 287-298
p. 20, b. 299-313
p. 21, b. 314-327
p. 22, b. 328-348
Main text
Main text
½A - Semi-autograph
A - Autograph of the piano part
Morch - Manuscript of the orchestra part
GE - German edition
GE1 - First German edition
GE1a - Retouched impression of GE1
GE2 - Second German edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE1
EE3 - Corrected impression of EE2
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Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
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Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
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Ornaments
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Differences
No differences
½A - Semi-autograph
A - Autograph of the piano part
Morch - Manuscript of the orchestra part
GE - German edition
GE1 - First German edition
GE1a - Retouched impression of GE1
GE2 - Second German edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE1
EE3 - Corrected impression of EE2
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  b. 100-101

Slurs in A (literal reading) & GE2

Slurs in A, contextual interpretation

Slurs in GE1 (→FEEE)

Bar 100 is the last one on the page of A and, as it often happens, the slurs at the transition between the pages are written inaccurately. The slur in bar 100 reaches far beyond the notes, suggesting its continuation, yet in bar 101 there is no possible ending of this slur. Therefore, the versions of the editions in which the slur ends together with the last note in bar 100 may be considered to be justified. However, the logic of the musical course suggests that it is the missing ending of the slur in bar 101 that is inaccurate and not the overextended ending of the slur in bar 100 – cf. e.g. an analogous situations 4 bars further. Starting the slur in bar 101 from the beginning of the bar is a typical inaccuracy of GE1 (→FEEE), corrected in GE2. (The slur of GE1 bears traces of corrections in print – one can see it was initially divided into a few parts. However, it does not mean that Chopin wanted to move the beginning of the slur – the aim of the proofreading was undoubtedly to combine the illogical fragments.)

Compare the passage in the sources»

category imprint: Graphic ambiguousness; Differences between sources

issues: Inaccuracies in GE, Inaccurate slurs in A, GE revisions, Corrected slurs of Op. 21 in GE1

notation: Slurs

Missing markers on sources: GE1, A, GE1a, Morch, GE2, FE1, FE2, FES, FED, FEJ, EE1, EE2, EE3