Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Compositions
0
Op. 21, Concerto in F minor, Mvt I
Page:
Source:
p. 59, b. 289-293
p. 1
p. 2, b. 1-6
p. 3, b. 7-13
p. 4, b. 14-19
p. 5, b. 20-26
p. 6, b. 27-32
p. 7, b. 33-39
p. 8, b. 40-45
p. 9, b. 46-51
p. 10, b. 52-57
p. 11, b. 58-63
p. 12, b. 64-70
p. 13, b. 71-77
p. 14, b. 78-81
p. 15, b. 82-86
p. 16, b. 87-91
p. 17, b. 92-96
p. 18, b. 97-100
p. 19, b. 101-105
p. 20, b. 106-110
p. 21, b. 111-115
p. 22, b. 116-120
p. 23, b. 121-125
p. 24, b. 126-131
p. 25, b. 132-137
p. 26, b. 138-141
p. 27, b. 142-145
p. 28, b. 146-149
p. 29, b. 150-154
p. 30, b. 155-159
p. 31, b. 160-164
p. 32, b. 165-168
p. 33, b. 169-172
p. 34, b. 173-176
p. 35, b. 177-180
p. 36, b. 181-185
p. 37, b. 186-191
p. 38, b. 192-196
p. 39, b. 197-201
p. 40, b. 202-206
p. 41, b. 207-212
p. 42, b. 213-216
p. 43, b. 217-220
p. 44, b. 221-224
p. 45, b. 225-228
p. 46, b. 229-232
p. 47, b. 233-236
p. 48, b. 237-240
p. 49, b. 241-244
p. 50, b. 245-248
p. 51, b. 249-252
p. 52, b. 253-256
p. 53, b. 257-261
p. 54, b. 262-266
p. 55, b. 267-272
p. 56, b. 273-277
p. 57, b. 278-283
p. 58, b. 284-288
p. 59, b. 289-293
p. 60, b. 294-297
p. 61, b. 298-301
p. 62, b. 302-305
p. 63, b. 306-309
p. 64, b. 310-313
p. 65, b. 314-317
p. 66, b. 318-321
p. 67, b. 322-325
p. 68, b. 326-329
p. 69, b. 330-333
p. 70, b. 334-338
p. 71, b. 339-343
p. 72, b. 344-348
A - Autograph of the piano part
Main text
½A
- Semi-autograph
A - Autograph of the piano part
Morch - Manuscript of the orchestra part
GE
- German edition
GE1 - First German edition
GE1a - Retouched impression of GE1
GE2 - Second German edition
FE
- French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
EE
- English edition
EE1 - First English edition
EE2 - Revised impression of EE1
EE3 - Corrected impression of EE2
Select notes:
Category
All
Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
½A
- Semi-autograph
A - Autograph of the piano part
Morch - Manuscript of the orchestra part
GE
- German edition
GE1 - First German edition
GE1a - Retouched impression of GE1
GE2 - Second German edition
FE
- French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
EE
- English edition
EE1 - First English edition
EE2 - Revised impression of EE1
EE3 - Corrected impression of EE2
Importance
All
Important
Main
b. 290
In GE1 (→FE→EE) the slur was led only to the last semiquaver in the 1st half of the bar, contrary to the clear notation of A.
Compare the passage in the sources»
category imprint: Differences between sources
issues: Inaccuracies in GE, GE revisions
notation: Slurs
Missing markers on sources:
GE1, A, GE1a, Morch, GE2, FE1, FE2, FES, FED, FEJ, EE1, EE2, EE3