mUltimate Chopin

Op. 21, Concerto in F minor, Mvt I

Text Compare Notes Sources Description
Page: 
Source: 
p. 17, b. 315-335
p. 1
p. 2
p. 3, b. 1-30
p. 4, b. 31-62
p. 5, b. 63-90
p. 6, b. 91-109
p. 7, b. 110-127
p. 8, b. 128-147
p. 9, b. 148-165
p. 10, b. 166-187
p. 11, b. 188-216
p. 12, b. 217-232
p. 13, b. 233-250
p. 14, b. 251-274
p. 15, b. 275-295
p. 16, b. 296-314
p. 17, b. 315-335
p. 18, b. 336-348
GE1 - First German edition
Main text
½A - Semi-autograph
A - Autograph of the piano part
Morch - Manuscript of the orchestra part
GE - German edition
GE1 - First German edition
GE1a - Retouched impression of GE1
GE2 - Second German edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE1
EE3 - Corrected impression of EE2
Select notes: 
Category
All
Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
½A - Semi-autograph
A - Autograph of the piano part
Morch - Manuscript of the orchestra part
GE - German edition
GE1 - First German edition
GE1a - Retouched impression of GE1
GE2 - Second German edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE1
EE3 - Corrected impression of EE2
Importance
All
Important
Main
Undo Clear
Prezentacja
Select 
copy link PDF GE1 - First German edition

Original in: Jan Ekier private collection, Warsaw


  b. 329

 in A, literal reading

 in GE (→FE→EE)

 in A, contextual interpretation

According to us, the  indication is to be interpreted as valid already from the beginning of the bar. It is one of examples of the manner of introducing indications within the scope of their validity, used sometimes by Chopin, particularly in his earlier works. In GE (→FE→EE)  was most probably linked with the entrance of the L.H.  

Compare the passage in the sources»

category imprint: Differences between sources

issues: Inaccuracies in GE, Centrally placed marks, Inaccuracies in A

notation: Verbal indications

Missing markers on sources: GE1, A, GE1a, Morch, GE2, FE1, FE2, FES, FED, FEJ, EE1, EE2, EE3
Complete ➔