Issues : Errors of A
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b. 23
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composition: Op. 21, Concerto in F minor, Mvt I
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The first octave in the L.H. in A is a quaver, so that the bar includes only 7 quavers. The mistake was corrected in GE (→FE→EE), by replacing the quaver with a crotchet, which we consider an accurate interpretation of the notation of A: Chopin probably erroneously repeated the rhythmic value of the chord in the R.H., as it was in the four previous bars. category imprint: Interpretations within context; Differences between sources issues: GE revisions , Rhythmic errors , Errors of A |
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b. 28
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composition: Op. 21, Concerto in F minor, Mvt I
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In A there is no category imprint: Interpretations within context; Differences between sources issues: Omission of current key accidentals , Errors of A , Authentic corrections of GE |
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b. 49
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composition: Op. 21, Concerto in F minor, Mvt I
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Before the last pair of octaves in the L.H. there are no flats in A, as a result of which they should be read as A-a. Chopin's oversight, corrected already in GE1 (→FE→EE, →GE2), is proved by the flats in the parts of all instruments performing the bass line visible in Morch. category imprint: Interpretations within context; Differences between sources issues: Omissions to cancel alteration , GE revisions , Errors of A |
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b. 63-64
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composition: Op. 21, Concerto in F minor, Mvt I
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The slur, started in A in bar 63, the last on the page, was not finished on a new page. According to us, one should assume that Chopin's intention was to write in the part of the L.H. a slur of the same range as in the complete slur of the R.H. category imprint: Interpretations within context; Differences between sources issues: Inaccurate slurs in A , GE revisions , Errors of A |
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b. 80
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composition: Op. 21, Concerto in F minor, Mvt I
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In A the b category imprint: Differences between sources issues: GE revisions , Rhythmic errors , Errors of A |
raising d
to d. The use of d2 in the part of the R.H. proves Chopin's mistake, corrected already in 
