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Issues : EE revisions
b. 139
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composition: Op. 21, Concerto in F minor, Mvt I
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In FE (→EE) the a1 quaver was doubled, as a result of which the entire group includes 8 notes. In the 1st half of the bar, FE committed two evident mistakes more: the mordent was overlooked as well as the category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in FE |
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b. 139
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composition: Op. 21, Concerto in F minor, Mvt I
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FE (→EE1) overlooked the category imprint: Differences between sources issues: Annotations in teaching copies , EE revisions , Errors in FE , Annotations in FED |
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b. 139
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composition: Op. 21, Concerto in F minor, Mvt I
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The omission of the mordent in FE (→EE1) is certainly a mistake – it is hard to imagine that Chopin could have not noticed the remaining mistakes while possibly removing the ornament. However, it should be emphasised that in FED Chopin did not add category imprint: Differences between sources issues: EE revisions , Errors in FE |
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b. 139
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composition: Op. 21, Concerto in F minor, Mvt I
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In A Chopin overlooked the category imprint: Interpretations within context; Differences between sources issues: Annotations in teaching copies , EE revisions , Annotations in FED , Omissions to cancel alteration , GE revisions , Errors of A , Errors repeated in GE , Errors repeated in FE , Errors repeated in EE |
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b. 141-142
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composition: Op. 21, Concerto in F minor, Mvt I
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EE unified the font of the accents in these bars, by arbitrarily changing two long accents in bar 142 and the vertical accent in bar 143 to common, short accents. It is particularly strange in the case of the vertical accent, since it was the signs with which EE would eagerly replace Chopin short or long accents. category imprint: Differences between sources issues: Long accents , EE revisions |