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Issues : Errors of A
b. 119-120
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composition: Op. 21, Concerto in F minor, Mvt I
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There is no accidental before the 4th semiquaver in the 2nd half of bar 119, which means that it should be read as f
Taking into account the above, in the main text we add naturals before those notes. category imprint: Interpretations within context; Differences between sources issues: Omissions to cancel alteration , Errors of A |
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b. 128
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composition: Op. 21, Concerto in F minor, Mvt I
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In A there is no accidental before the 2nd crotchet of the middle voice. It is certainly an oversight – d2 was already at the beginning of the 2nd half of the previous bar, suggesting a modulation to E category imprint: Interpretations within context; Differences between sources issues: Omission of current key accidentals , Errors of A , Authentic corrections of GE , Last key signature sign |
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b. 139
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composition: Op. 21, Concerto in F minor, Mvt I
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In A Chopin overlooked the category imprint: Interpretations within context; Editorial revisions issues: Errors in FE , Errors in EE , Omissions to cancel alteration , Errors in GE , Errors of A |
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b. 139
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composition: Op. 21, Concerto in F minor, Mvt I
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In A Chopin overlooked the category imprint: Interpretations within context; Differences between sources issues: Annotations in teaching copies , EE revisions , Annotations in FED , Omissions to cancel alteration , GE revisions , Errors of A , Errors repeated in GE , Errors repeated in FE , Errors repeated in EE |
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b. 164
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composition: Op. 21, Concerto in F minor, Mvt I
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The absence of slurs in this bar is undoubtedly Chopin's mistake in A. The slurs – half-bar-long – were added already in GE1 (→FE→EE), by analogy with adjacent bars. However, it is highly unlikely that such a range would correspond to Chopin's intention – cf. bar 159. category imprint: Differences between sources issues: GE revisions , Errors of A |