mUltimate Chopin

Op. 35, Sonata in B♭ minor, Mvt I

Text Compare Notes Sources Description
Page: 
Source: 
p. 6, b. 121-140
p. 1, b. 1-24
p. 2, b. 25-48
p. 3, b. 49-72
p. 4, b. 73-92
p. 5, b. 93-120
p. 6, b. 121-140
p. 7, b. 141-160
p. 8, b. 161-192
p. 9, b. 193-214
p. 10, b. 215-241
Main text
Main text
GC - Gutmann's Copy
FE - French edition
FE1 - First French edition
FE2 - Second impression of FE
FE3 - Third impression of FE
FE4 - Fourth impression of FE
FESch - Scherbatoff Copy
FES - Stirling copy
FED - Dubois copy
GE - German edition
GE1 - First German edition
GE2 - Corrected reprint of GE
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE
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Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
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Notation
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Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
GC - Gutmann's Copy
FE - French edition
FE1 - First French edition
FE2 - Second impression of FE
FE3 - Third impression of FE
FE4 - Fourth impression of FE
FESch - Scherbatoff Copy
FES - Stirling copy
FED - Dubois copy
GE - German edition
GE1 - First German edition
GE2 - Corrected reprint of GE
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE
Importance
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Important
Main
Undo Clear
Prezentacja
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  b. 137-138

Pedal change in GC

No pedal change in FE (→EE)

Pedal change in GE

We adopt the pedalling from FE in the main text, for it is consistent with the pedalling of the subsequent bars. The placement of the  sign in GE, although apt from a pianistic point of view, is nevertheless a probable arbitrariness of the engraver.

Compare the passage in the sources»

category imprint: Differences between sources

issues: Inaccuracies in GE, Inaccuracies in GC

notation: Pedalling

Missing markers on sources: FE1, FE2, FE3, FE4, FESch, FED, FES, GE1, GE2, GC, EE1, EE2
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