Page: 
Source: 
p. 10, b. 215-241
p. 1, b. 1-24
p. 2, b. 25-48
p. 3, b. 49-72
p. 4, b. 73-92
p. 5, b. 93-120
p. 6, b. 121-140
p. 7, b. 141-160
p. 8, b. 161-192
p. 9, b. 193-214
p. 10, b. 215-241
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Main text
GC - Gutmann's Copy
FE - French edition
FE1 - First French edition
FE2 - Second impression of FE
FE3 - Third impression of FE
FE4 - Fourth impression of FE
FESch - Scherbatoff Copy
FES - Stirling copy
FED - Dubois copy
GE - German edition
GE1 - First German edition
GE2 - Corrected reprint of GE
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE
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GC - Gutmann's Copy
FE - French edition
FE1 - First French edition
FE2 - Second impression of FE
FE3 - Third impression of FE
FE4 - Fourth impression of FE
FESch - Scherbatoff Copy
FES - Stirling copy
FED - Dubois copy
GE - German edition
GE1 - First German edition
GE2 - Corrected reprint of GE
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE
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  b. 219-221

 in GC

 in FE (→EE)

 in GE

One  sign in FE indicates that two signs in GC (separated with a transition to a new line) are to be interpreted as a continuous . The notation of GE is certainly arbitrary – erroneous or revised. In GC and GE the dashes marking the range of crescendo from bar 217 are led to the beginning of the  hairpin, in spite of the fact that in each of these sources the signs start in another place.
Due to the relation of the  hairpin with the preceding it cresc. - -, which was overlooked in FE, in the main text we give the ending of the dashes and the hairpin on the basis of GC. According to us, however, the slightly earlier started  sign in FE (→EE) reproduced Chopin's notation probably in a more accurate manner.

Compare the passage in the sources »

category imprint: Interpretations within context; Differences between sources

issues: Inaccuracies in GE, Scope of dynamic hairpins

notation: Articulation, Accents, Hairpins

Missing markers on sources: FESch, FED, FES