Page: 
Source: 
p. 8, b. 161-192
p. 1, b. 1-24
p. 2, b. 25-48
p. 3, b. 49-72
p. 4, b. 73-92
p. 5, b. 93-120
p. 6, b. 121-140
p. 7, b. 141-160
p. 8, b. 161-192
p. 9, b. 193-214
p. 10, b. 215-241
Main text
Main text
GC - Gutmann's Copy
FE - French edition
FE1 - First French edition
FE2 - Second impression of FE
FE3 - Third impression of FE
FE4 - Fourth impression of FE
FESch - Scherbatoff Copy
FES - Stirling copy
FED - Dubois copy
GE - German edition
GE1 - First German edition
GE2 - Corrected reprint of GE
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE
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Graphic ambiguousness
Interpretations within context
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Pitch
Rhythm
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Articulation, Accents, Hairpins
Verbal indications
Pedalling
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Ornaments
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Differences
No differences
GC - Gutmann's Copy
FE - French edition
FE1 - First French edition
FE2 - Second impression of FE
FE3 - Third impression of FE
FE4 - Fourth impression of FE
FESch - Scherbatoff Copy
FES - Stirling copy
FED - Dubois copy
GE - German edition
GE1 - First German edition
GE2 - Corrected reprint of GE
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE
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  b. 169

Slur up to f in GC

Slur up to B in FE (→EE)

Slur below notes in GE

In the main text we reproduce the little slur running from the grace note in the version of GC, in this case probably closest to [A]. The little slur can be, according to us, interpreted as a conventional sign, by playing the grace note and the fifth, or as a B1-B-f arpeggio. The notation of FE (→EE) is most probably inaccurate (cf. the adjacent note), whereas of GE – routinely revised; at the same time, both eliminate the possibility of a double interpretation.  

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category imprint: Differences between sources

issues: Inaccuracies in FE, GE revisions

notation: Ornaments

Missing markers on sources: FESch, FED, FES