mUltimate Chopin

Op. 35, Sonata in B♭ minor, Mvt I

Text Compare Notes Sources Description
Page: 
Source: 
p. 7, b. 141-160
p. 1, b. 1-24
p. 2, b. 25-48
p. 3, b. 49-72
p. 4, b. 73-92
p. 5, b. 93-120
p. 6, b. 121-140
p. 7, b. 141-160
p. 8, b. 161-192
p. 9, b. 193-214
p. 10, b. 215-241
Main text
Main text
GC - Gutmann's Copy
FE - French edition
FE1 - First French edition
FE2 - Second impression of FE
FE3 - Third impression of FE
FE4 - Fourth impression of FE
FESch - Scherbatoff Copy
FES - Stirling copy
FED - Dubois copy
GE - German edition
GE1 - First German edition
GE2 - Corrected reprint of GE
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE
Select notes: 
Category
All
Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
GC - Gutmann's Copy
FE - French edition
FE1 - First French edition
FE2 - Second impression of FE
FE3 - Third impression of FE
FE4 - Fourth impression of FE
FESch - Scherbatoff Copy
FES - Stirling copy
FED - Dubois copy
GE - German edition
GE1 - First German edition
GE2 - Corrected reprint of GE
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE
Importance
All
Important
Main
Undo Clear
Prezentacja
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  b. 153-156

Three-bar long  in GC (→GE)

One-bar long  in FE1 (→FE2→EE)

No sign in FE3 (→FE4)

In the main text we include the  sign written in GC (→GE). The shorter hairpin in FE1 (→FE2→EE) is probably inaccurate; its removal in FE3 (→FE4) also seems to be a mistake – crescendo is so natural here due to the quickly ascending progression and accumulation of harmonies due to pedalling. See also bars 158-160.

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category imprint: Differences between sources

issues: Authentic corrections of FE

notation: Articulation, Accents, Hairpins

Missing markers on sources: FESch, FED, FES
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