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p. 3, b. 49-72
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In the sources, the chord at the beginning of the bar is written monophonically, in spite of varying rhythmic values. Chopin, striving for a maximal simplicity of notation, would often use such notation (cf. e.g. the Etudes Op. 10, in E
minor, No. 6, bar 20 i 46, F major, No. 8, bar 47, 49 and 50, C minor, No. 12, bar 57). In the places where the original notation can be improved without an excessive complication of the notation, we introduce relevant corrections.
Compare the passage in the sources»
category imprint: Editorial revisions
issues: Different values of chord components
notation: Rhythm
Missing markers on sources:
FESch, FED, FES