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p. 2, b. 25-48
p. 1, b. 1-24
p. 2, b. 25-48
p. 3, b. 49-72
p. 4, b. 73-92
p. 5, b. 93-120
p. 6, b. 121-140
p. 7, b. 141-160
p. 8, b. 161-192
p. 9, b. 193-214
p. 10, b. 215-241
Main text
Main text
GC - Gutmann's Copy
FE - French edition
FE1 - First French edition
FE2 - Second impression of FE
FE3 - Third impression of FE
FE4 - Fourth impression of FE
FESch - Scherbatoff Copy
FES - Stirling copy
FED - Dubois copy
GE - German edition
GE1 - First German edition
GE2 - Corrected reprint of GE
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE
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GC - Gutmann's Copy
FE - French edition
FE1 - First French edition
FE2 - Second impression of FE
FE3 - Third impression of FE
FE4 - Fourth impression of FE
FESch - Scherbatoff Copy
FES - Stirling copy
FED - Dubois copy
GE - German edition
GE1 - First German edition
GE2 - Corrected reprint of GE
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE
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  b. 41-42

d tied in GC (→GE) & EE2

d repeated in FE (→EE1)

Our variant suggestion

It is hard to determine which was Chopin's final intention, as far as the sustention of d is concerned. The tie in GC could have been added by Chopin, yet it is also likely that it was in [A] but it was overlooked by the engraver of FE (→EE1). On the other hand, Chopin did not add it either in the proofreadings of FE3 and FE4 or in any of the pupil's copies. Due to the above reasons, in the main text we suggest a variant solution.

See b. 41

Compare the passage in the sources »

category imprint: Differences between sources

issues: EE revisions

notation: Rhythm

Missing markers on sources: FESch, FED, FES