Page: 
Source: 
p. 6, b. 166-203
p. 1, b. 1-31
p. 2, b. 32-73
p. 3, b. 74-111
p. 4, b. 112-138
p. 5, b. 139-165
p. 6, b. 166-203
p. 7, b. 204-241
FE1 - First French edition
Main text
GC - Gutmann's Copy
FE - French edition
FE1 - First French edition
FE2 - Second impression of FE
FE3 - Third impression of FE
FE4 - Fourth impression of FE
FESch - Scherbatoff Copy
FES - Stirling copy
FED - Dubois copy
GE - German edition
GE1 - First German edition
GE2 - Corrected reprint of GE
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE
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Graphic ambiguousness
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Pitch
Rhythm
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Articulation, Accents, Hairpins
Verbal indications
Pedalling
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Differences
No differences
GC - Gutmann's Copy
FE - French edition
FE1 - First French edition
FE2 - Second impression of FE
FE3 - Third impression of FE
FE4 - Fourth impression of FE
FESch - Scherbatoff Copy
FES - Stirling copy
FED - Dubois copy
GE - German edition
GE1 - First German edition
GE2 - Corrected reprint of GE
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE
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copy link PDF FE1 - First French edition


  b. 169

Slur in GC, literal reading

Arpeggio sign in GC, contextual interpretation

No sign in FE (→EE1)

Tie to grace note in GE & EE2

The tie visible in GC before the chord means an arpeggio in this context. The version of GE, repeated then in EE2, is a result of a routine revision – the sign was moved to the side of the note head of the dgrace note, which gave it a form of a tie sustaining the grace note (cf. the note on the part of the L.H.). No slur in FE (→EE1) is most probably an oversight.

FE1 includes an erroneous c1 as the grace note, which was corrected in the next impressions.

Compare the passage in the sources »

category imprint: Interpretations within context; Differences between sources

issues: EE revisions, Errors in FE, GE revisions, FE revisions

notation: Ornaments

Missing markers on sources: FESch, FED, FES