Page: 
Source: 
p. 8, b. 161-192
p. 1, b. 1-24
p. 2, b. 25-48
p. 3, b. 49-72
p. 4, b. 73-92
p. 5, b. 93-120
p. 6, b. 121-140
p. 7, b. 141-160
p. 8, b. 161-192
p. 9, b. 193-214
p. 10, b. 215-241
Main text
Main text
GC - Gutmann's Copy
FE - French edition
FE1 - First French edition
FE2 - Second impression of FE
FE3 - Third impression of FE
FE4 - Fourth impression of FE
FESch - Scherbatoff Copy
FES - Stirling copy
FED - Dubois copy
GE - German edition
GE1 - First German edition
GE2 - Corrected reprint of GE
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE
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Graphic ambiguousness
Interpretations within context
Differences between sources
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Notation
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Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
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Ornaments
Shorthand & other
Differences
No differences
GC - Gutmann's Copy
FE - French edition
FE1 - First French edition
FE2 - Second impression of FE
FE3 - Third impression of FE
FE4 - Fourth impression of FE
FESch - Scherbatoff Copy
FES - Stirling copy
FED - Dubois copy
GE - German edition
GE1 - First German edition
GE2 - Corrected reprint of GE
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE
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  b. 185-188

Slurs in GC & GE2

Slur in FE1 (→FE2)

Slurs in FE3 (→FE4) & EE

Slurs in GE1

Slurs suggested by the editors

The slurring of particular sources seems to convey Chopin's idea only approximately. In the main text, we suggest an interpretation of the slurs of GC based on the slurs written in a more precise manner in analogous bars 57-60. See also bar 189.

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category imprint: Differences between sources

issues: Errors in FE, GE revisions, Authentic corrections of FE, Inaccuracies in GC, Authentic corrections of EE

notation: Slurs

Missing markers on sources: FESch, FED, FES