Page: 
Source: 
p. 5, b. 139-165
p. 1, b. 1-31
p. 2, b. 32-73
p. 3, b. 74-111
p. 4, b. 112-138
p. 5, b. 139-165
p. 6, b. 166-203
p. 7, b. 204-241
FE1 - First French edition
Main text
GC - Gutmann's Copy
FE - French edition
FE1 - First French edition
FE2 - Second impression of FE
FE3 - Third impression of FE
FE4 - Fourth impression of FE
FESch - Scherbatoff Copy
FES - Stirling copy
FED - Dubois copy
GE - German edition
GE1 - First German edition
GE2 - Corrected reprint of GE
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE
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Articulation, Accents, Hairpins
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Pedalling
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GC - Gutmann's Copy
FE - French edition
FE1 - First French edition
FE2 - Second impression of FE
FE3 - Third impression of FE
FE4 - Fourth impression of FE
FESch - Scherbatoff Copy
FES - Stirling copy
FED - Dubois copy
GE - German edition
GE1 - First German edition
GE2 - Corrected reprint of GE
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE
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copy link PDF FE1 - First French edition

Original in: Bibliothèque Nationale de France, Paris


  b. 152

No sign in GC (→GE) & FE (→EE)

[] suggested by the editors

We suggest adding the  sign, overlooked in the sources, in accordance with the harmonic sense at the end of this bar. However, it cannot be excluded that Chopin considered here a change of the pedalling scheme from the previous bars, e.g., due to the lower register of the R.H. part.

Compare the passage in the sources»

category imprint: Editorial revisions

issues: No pedal release mark

notation: Pedalling

Missing markers on sources: FESch, FED, FES