mUltimate Chopin

Op. 35, Sonata in B♭ minor, Mvt I

Text Compare Notes Sources Description
Page: 
Source: 
p. 7, b. 141-160
p. 1, b. 1-24
p. 2, b. 25-48
p. 3, b. 49-72
p. 4, b. 73-92
p. 5, b. 93-120
p. 6, b. 121-140
p. 7, b. 141-160
p. 8, b. 161-192
p. 9, b. 193-214
p. 10, b. 215-241
Main text
Main text
GC - Gutmann's Copy
FE - French edition
FE1 - First French edition
FE2 - Second impression of FE
FE3 - Third impression of FE
FE4 - Fourth impression of FE
FESch - Scherbatoff Copy
FES - Stirling copy
FED - Dubois copy
GE - German edition
GE1 - First German edition
GE2 - Corrected reprint of GE
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE
Select notes: 
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Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
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Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
GC - Gutmann's Copy
FE - French edition
FE1 - First French edition
FE2 - Second impression of FE
FE3 - Third impression of FE
FE4 - Fourth impression of FE
FESch - Scherbatoff Copy
FES - Stirling copy
FED - Dubois copy
GE - German edition
GE1 - First German edition
GE2 - Corrected reprint of GE
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE
Importance
All
Important
Main
Undo Clear
Prezentacja
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  b. 158-160

2  signs in GC

No signs in FE (→EE)

One  sign in GE

In the main text we include the  hairpin added probably by Chopin in GC. In GE the hairpin was moved between the staves and combined with the second  sign written in bar 160. Cf. bars 153-156.

Compare the passage in the sources»

category imprint: Differences between sources; Corrections & alterations

issues: Authentic corrections in GC

notation: Articulation, Accents, Hairpins

Missing markers on sources: FESch, FED, FES
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