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Source:
p. 5, b. 93-120
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The original accentuation, which, together with the slurs restores clear, triple grouping of chords after bars 91-92, prevailing in bars 81-90, was changed by Chopin in the proofreading of FE3 (→FE4). The new concept is an evident improvement – it shapes a four-bar-long crescendo wave with distinctly marked two crests and at the same time it delays the return of denser accentuated motifs until the entrance of the final phrase of the exposition in bar 97.
category imprint: Graphic ambiguousness; Differences between sources; Corrections & alterations
issues: Long accents, Authentic corrections of FE, Inaccuracies in GC
notation: Articulation, Accents, Hairpins
Missing markers on sources:
FESch, FED, FES