Page: 
Source: 
p. 4, b. 73-92
p. 1, b. 1-24
p. 2, b. 25-48
p. 3, b. 49-72
p. 4, b. 73-92
p. 5, b. 93-120
p. 6, b. 121-140
p. 7, b. 141-160
p. 8, b. 161-192
p. 9, b. 193-214
p. 10, b. 215-241
GE - German edition
Main text
GC - Gutmann's Copy
FE - French edition
FE1 - First French edition
FE2 - Second impression of FE
FE3 - Third impression of FE
FE4 - Fourth impression of FE
FESch - Scherbatoff Copy
FES - Stirling copy
FED - Dubois copy
GE - German edition
GE1 - First German edition
GE2 - Corrected reprint of GE
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE
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Category
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Graphic ambiguousness
Interpretations within context
Differences between sources
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Source & stylistic information
Notation
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Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
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Differences
No differences
GC - Gutmann's Copy
FE - French edition
FE1 - First French edition
FE2 - Second impression of FE
FE3 - Third impression of FE
FE4 - Fourth impression of FE
FESch - Scherbatoff Copy
FES - Stirling copy
FED - Dubois copy
GE - German edition
GE1 - First German edition
GE2 - Corrected reprint of GE
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE
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Important
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copy link PDF GE - German edition


  b. 80

 in GC

 in FE

No sign in GE

Long accent in EE

Each of the three source versions of the range of the  sign may correspond to Chopin's intention. According to us, the sign has a nature of a long accent, emphasising both the dynamic relation of the delay of d2 and its resolution c2. Therefore, in the main text we give a sign on the basis of FE, which presents this double sense in the clearest manner. The absence of a hairpin in GE is certainly a result of an oversight (cf. the note on the tie).

Compare the passage in the sources »

category imprint: Graphic ambiguousness; Differences between sources

issues: Long accents, Scope of dynamic hairpins, Errors in GE

notation: Articulation, Accents, Hairpins

Missing markers on sources: FESch, FED, FES